Judit Lilla Molnár’s starting points for “Trainsition” at the station are object-like integrations and changes of perspective in . Her aim is to create a site-specific installation that combines these concepts with the architectural and environmental experiences of a city characterized by tourism. In the work studio at Bad Aussee train station, the existing suspended ceiling serves as a visual guide for the project, whose potential the artist wants to use to design spatial elements that function as visual “prostheses” in the space. These are partly abstract, partly symbolic forms that refer to the immediate and wider surroundings of the station: the visually strong former waiting room, the station and the Styrian landscape. The aim of the installation is to give visitors a new perspective on this space and its surroundings.
Accessibility
No barrier-free access
Traffic area of the ÖBB – children only under supervision
Public toilet
Salt Lake Cities
Regional empty spaces as places of experience and meeting points for art: the Capital of Culture 2024 invites young artists from Germany and abroad to research, live and work in these spaces and to activate them with artistic contributions.
More about the project at salzkammergut-2024.at
