Programme
- VINZENZ GOLLER ( 1873 – 1953 )
Fest Fanfare on themes by Anton Bruckner for brass - LOUIS VIERNE ( 1870 – 1937 )
Marche triomphale du Centenaire de Napoléon I. for organ, three trumpets, three trombones and timpani, op.46 - RUDOLF DITTRICH ( 1861 – 1919 )
Paraphrase on the imperial song “Gott erhalte, Gott beschütze” in G major for organ - MAURICIO KAGEL ( 1931 – 2008 )
Marches to miss the victory for winds and percussion - ORGELIMPROVISATION
on the themes used by Anton Bruckner in Ischl - ANTON BRUCKNER (1824-1896)
Adagio II. Movement of the Symphony no. 7 in E major, WAB 107 ( arrangement for winds, timpani and percussion by Ferdinand Löwe ) - FRIEDRICH KLOSE (1862-1942)
- Praeludium and Double Fugue in C minor for organ and brass
Eivind Berg, organ
Vienna Academy Brass with Hermann Ebner
Trumpet: Helmut Demmer, Aglae Stecher, Moritz Umlauf
Horn: Gabriel Richter, Barbara Gepp, Yasmin Schöller, Melissa Danas
Wagner tuba: Hermann Ebner, Alexander Brandstätter, Lukas Scheikl, Peter Schwaiger Trombone: Gerhard Schneider, Andreas Raidl, Jürgen Sklenar
Tuba: Raoul Herget
Percussion: Emma Marie Frauenholz, Svetlozar Dimitrov
The brass and percussion section of the Vienna Academy Orchestra, consisting of highly experienced musicians, will be reinforced for this project by young artists from the Lower Austrian Youth Symphony Orchestra who have already impressed with their outstanding performances. The youth orchestra organises annual auditions for talented young musicians and has already worked on and performed works by Anton Bruckner this year.
The concert “Bruckner in Bad Ischl” promises great romance with music for organ and brass: organist Eivind Berg improvises on the themes that Bruckner played at the wedding of Archduchess Valerie, he plays the Fantasia on the Imperial Anthem by Viennese court organist Rudolf Dittrich and, together with the brass choir, the symphonic work by Bruckner’s pupil Friedrich Klose. The impressive Triumphal March by Louis Vierne was composed for Notre Dame Cathedral in Paris, while the wind version of the Adagio from the Seventh Symphony was played at Bruckner’s funeral in Vienna’s Karlskirche. Mauricio Kagel’s “Märsche, um den Sieg zu verfehlen” provides the necessary thought-provoking contrast.
Kirch.Klang.Raum
Under the direction of Martin Haselböck, the KIRCH’KLANG Festival Salzkammergut fills time-honoured spaces with innovative content, familiar and new sounds and unusual formats.
More about the project at www.salzkammergut-2024.at
