On display are the works of:
Marit Wolters – Platzhirsch
Man creates a wide variety of architectures to protect himself from his environment, to make it usable or to shape it according to his own ideas. In European palaces, architectural ideas began to be transferred to garden design as early as the Baroque period – garden architecture was born. The growth of nature was cultivated and symbolised the power that rulers were able to exert over their environment. Even today, this highly geometric form of design still characterises our idea of a castle park. For aristocratic hunts, which were used for exercise and also to demonstrate power, temporary architecture made of cloth was stretched between poles and trees. This made it possible to round up the game, which could no longer escape the deadly shots. If an animal did escape, it was “lost to the hunting party”
Genoveva Kriechbaum – A Human Legacy
Characterful portrayals of different personalities who are deeply rooted in the region and the embodiment of their life’s work.
Iwajla Klinke – Windtabernakel
In her work, Iwajla Klinke deals with transformations as well as the new and deconstruction of culturally and historically established metaphors, themes and iconographies, such as masculinity. In this case, she works with the conventionally complex iconography of an altar and attempts to transform it and the narrative that emerges in it into today’s everyday life. She is particularly interested in questions of the original suggestive power or conventional gender relations.
Please register: anmeldung@salzkammergut-2024.at
Salt Lake Cities
Regional empty spaces as places of experience and meeting places for art: the Capital of Culture 2024 invites young artists from Germany and abroad to research, live and work in them and to activate them with artistic contributions.
Mehr zum Projekt unter salzkammergut-2024.at
