Lacing their endeavours and their craft with landscapes and their lack thereof, Han-Gyeol, Paul and Alix will present a dance as invocation, a slow daily ethnographic practice that tiptoes on a piano’s keyboard, circumvoluting its keys through Han-Gyeol Lie and Paul Kotal’s combined technologies: a concert for the Salzkamergut.
How to rehearse forms of disengagement from (every) things that, in our daily forms of dancing and choreographing, working, crafting continue to reinstate cycles of violence, oppression, exhaustion?
