Thomas Feuerstein

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More about the contributor

(*1968 in Innsbruck, Austria; lives and works in Vienna) Thomas Feuerstein studied art history and philosophy at the University of Innsbruck from 1987 to 1995. He has made a name for himself not only with his installations on the border between art and science, but also as an art theorist and net artist. Feuerstein was awarded the Austrian Art Prize for Media Art 2019. Feuerstein has been teaching as a professor of artistic discourse at the Institute for Experimental Architecture at the University of Innsbruck since 2020.

Solo exhibitions (selection): 2023 METABOLICA. Moby Dick, MUSEION/NOI, Bolzano. Whole Dearth Catalog & Good Rotten Goods, Elisabeth & Klaus Thoman, Vienna. 2022 Algorithmic weed rolls like cyberdog’s shit in the desert of art, Sexauer, Berlin. 2021 ORAKEL. In the dense chamber with G. J. Lischka, Nicola von Senger, Zurich.

Group exhibitions (2023): ZKM, Karlsruhe; Museum Brot und Kunst, Ulm; Galerie Elisabeth & Klaus Thoman, Innsbruck; KunstHaus Wien, Vienna; Weltkunstzimmer, Düsseldorf; Museum Franz Gertsch, Burgdorf; Shenzhen Museum of Contemporary Art and Urban Planning, Shenzhen.

Participations

Villa Karbach
How Scurrealism Comes into the World

Where the real and the bizarre meet, “scurrealism” enters the world. This neologism comes from the Ebensee writer Walter Pilar, the instigator of the Villa Karbach art project. He and many other artists show works of unconventional power and intensity.